EPSON DSC picture

Overcomed by the smooth and dense azure blue sky, the identifiable villages took the surface of the seat and invest in espalier, hills and nipples. One easily recognizes clean lines, sharp, Bonnieux, Gordes, Walls, Rousillon … Between Ventoux and Provence, they now occupy the central role in Taussac’s compositions where pearlescent yellow ocher and buildings are anchored to orange gold seat tables. And third in almost equidistant, blue and yellow spare greens that also dot the middle of the paintings. Harmony, strength, purity purifies and tones, all combine to orchestrate the election colors, like the movement of a concerto by Ravel in the color of its prosody Provence.

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